transgender nerd under canada

DOOP Ubersecretary
 
|
|
SM3 sucking is the reason there is no SM4!
Lrn to life.
But it's not. Like it or not, Spider-Man 3 made a fuck-load of money and the studio was eager to make another.
Sam Raimi wanted the 4th to be good and it soon became apparent that Sony simply weren't going to let him make a good film so he jumped ship because otherwise Spider-Man 4 would have been a mess like Spider-Man 3 was. Sony were happy to reboot it because it meant that they could snap up some new talent for considerably less money.
So, what you're saying there is that it's less about SM3's suckitude and more about the anticipated suckitude of SM4 based on the suckitude of SM3? Hm. Spider-Man 3 made a shitload of money based on the success of the first two pictures - both of which had their problems, but people were willing to overlook them because they had good points too. However, SM3 sucked a gigantic hairy transvestite wombat's cock from beginning to end. It was panned by critics and audiences alike, and only made tons of money immediately after release. It did not, unlike SM1 and SM2, make consistently high box-office returns during the entire release period. Studios look at these things. They see films where audiences drop off quickly as being unviable projects on which to base a sequel, and that goes double for the third film in a trilogy. A second or third sequel to a film gets made if the film and its sequel take in a certain amount of money over a certain period of time. This ensures that the studio doesn't lose money by making a big-budget film that turns out to be a box-office turkey because people thought the previous film in the series was absolute shit. When SM3 turned out to be a horrible failure with audiences and the putative SM4 couldn't rekindle Raimi's faith in the franchise, he decided to call it quits. Sony were happy to re-boot it because it's a re-branding excercise that has proven popular and successful in the past. They couldn't make SM4 as a direct sequel because Raimi refused to give up his interest (artistic integrity, perhaps. They didn't offer him enough money, much more likely). This was a direct result of SM3 sucking. Therefore there is no SM4 because SM3 sucked. Eat it.
|
|
|
|
|
|
|
cyber_turnip

Urban Legend
  
|
|
 |
« Reply #203 on: 04-16-2012 04:27 »
« Last Edit on: 04-16-2012 04:30 »
|
|
SM3 sucking is the reason there is no SM4!
Lrn to life.
But it's not. Like it or not, Spider-Man 3 made a fuck-load of money and the studio was eager to make another.
Sam Raimi wanted the 4th to be good and it soon became apparent that Sony simply weren't going to let him make a good film so he jumped ship because otherwise Spider-Man 4 would have been a mess like Spider-Man 3 was. Sony were happy to reboot it because it meant that they could snap up some new talent for considerably less money.
So, what you're saying there is that it's less about SM3's suckitude and more about the anticipated suckitude of SM4 based on the suckitude of SM3?
Not really, no. Hm. Spider-Man 3 made a shitload of money based on the success of the first two pictures - both of which had their problems, but people were willing to overlook them because they had good points too. However, SM3 sucked a gigantic hairy transvestite wombat's cock from beginning to end. It was panned by critics and audiences alike, and only made tons of money immediately after release. It did not, unlike SM1 and SM2, make consistently high box-office returns during the entire release period. It still made more than enough money to make the studio eager to make another. Studios look at these things. They see films where audiences drop off quickly as being unviable projects on which to base a sequel, and that goes double for the third film in a trilogy. A second or third sequel to a film gets made if the film and its sequel take in a certain amount of money over a certain period of time. This ensures that the studio doesn't lose money by making a big-budget film that turns out to be a box-office turkey because people thought the previous film in the series was absolute shit. That may be so. In this film's case, the studio still wanted another film in the series because they deemed it something that would be profitable. When SM3 turned out to be a horrible failure with audiences and the putative SM4 couldn't rekindle Raimi's faith in the franchise It absolutely could and briefly did but Sony wouldn't let him have things his way and so he basically decided it wouldn't wind up being a good film, again, because they weren't letting him make a good film. Sony were happy to re-boot it because it's a re-branding excercise that has proven popular and successful in the past. They couldn't make SM4 as a direct sequel because Raimi refused to give up his interest (artistic integrity, perhaps. Of course they were happy to. That doesn't mean that they didn't initially want a fourth Spider-Man film in the current series and only turned to the reboot as a plan B. They didn't offer him enough money, much more likely He was officially hired and actively working on the film when the project was cancelled. He likely had to hand his fee back or buy himself out of a contract in order to not simply just do as Sony told him. I really doubt it had anything to do with the fee. When you're a director at Raimi's level with people chasing you down to make films such as the upcoming adaptation of World of Warcraft or things for Disney then you can afford to be picky and only make projects that you want to because they do it for you, artistically. He could probably retire on his fee for Spider-Man 2, alone. It's more likely that Sony basically fired him for not doing things their way this time and wrote a nice press release to make it look like he took the initiative and walked. If this is the case, you could say that they didn't make Spider-Man 4 because Raimi was being extra careful to make a good film this time because 3 was below par but it certainly wasn't a case of the studio not wanting a 4th film.
|
|
|
|
|
transgender nerd under canada

DOOP Ubersecretary
 
|
|
So, what you're saying there is that it's less about SM3's suckitude and more about the anticipated suckitude of SM4 based on the suckitude of SM3? Not really, no. [/quote] You should try to get your point across more clearly then. [SM3] still made more than enough money to make the studio eager to make another.
Studios look at these things. They see films where audiences drop off quickly as being unviable projects on which to base a sequel, and that goes double for the third film in a trilogy. A second or third sequel to a film gets made if the film and its sequel take in a certain amount of money over a certain period of time. This ensures that the studio doesn't lose money by making a big-budget film that turns out to be a box-office turkey because people thought the previous film in the series was absolute shit. That may be so. In this film's case, the studio still wanted another film in the series because they deemed it something that would be profitable.
I think you'll find that the studio and Raimi were contracted at that point to make six films in total, a pair of trilogies. Had there been no contract in place, it is unlikely that SM4 would have even been discussed. They'd probably not have discussed a re-boot either. But if Sony don't make the films at this point, Raimi and somebody else will end up doing it. So they've got six films to make, a ton of credibility to recover, and a pissed-off director. The easiest solution is to make the director more and more unhappy (either by not giving him his daily money-shower or by making unreasonable demands that will ruin his film) and ensure that a re-noegotiation needs to happen. So the director and the studio are now at loggerheads. What usually happens in this situation is that the director will demand "creative freedom" and a fuckton more money. Sony refuse, and when he walks, re-boot the franchise without the director. If this is the case, you could say that they didn't make Spider-Man 4 because Raimi was being extra careful to make a good film this time because 3 was below par but it certainly wasn't a case of the studio not wanting a 4th film.
That's not what was said. What was said was that SM3 sucking was the cause of us not having SM4. This is arguably the root cause, as it led to differences of opinion between Raimi and Sony that ultimately meant SM4 would never be made. This is what led to the re-boot of the franchise. If SM3 had not sucked, Raimi's departure from the project might not have proved to be an issue for the studio. Directors are replaced all the time, when they quit and the studio still really wants to make a film, after all. SM3 sucked, SM4 won't get made now, and the studio are going with a re-boot instead. These things all follow on from one another.
|
|
|
|
|
Gopher

Fallback Guy
Space Pope
   
|
|
 |
« Reply #205 on: 04-16-2012 05:32 »
« Last Edit on: 04-16-2012 05:34 »
|
|
why is this a complicated debate? It's really very simple.
Sony's motivation: Milk the established franchise, spending as little as time and money as possible. Ramis' motivation: actually make a good movie, even if it takes longer and costs a bit more.
With each subsequent film in one franchise series, sony wants to spend less, thus making more. If people thought SM3 was shit, sony didn't care, so long as they bought tickets and dvds. Their reputation is relatively unaffected, since a company like sony has so many different pies going at once anyway. The actors, writers, and directors involved can generally only make one thing at a time, and their reputations and careers stand to be more directly affected if they let themselves be associated with swill designed to milk an established franchise - so they want more money. Eventually this leads to a breakdown in negotations, and if there's still enough life in the franchise, a reboot is born. Or, in less extreme cases, just recasting (a'la 90s batman)
|
|
|
|
|
|
|
|
|
|
|
Tachyon

DOOP Secretary

|
|
I picked up Black Dynamite on a whim last year. I've not yet watched it. When I do, should I first prepare popcorn or beer?
|
|
|
|
|
|
|
|
|
Vivek

Delivery Boy
 
|
|
The Amazing Spider-Man Trailer 3 - YouTubeNew Spidey trailer is up. Fluid web slinging shots (will look more amazing in 3D), rapid wall climbing, more wise cracks.  This trailer will now surely get fans and audience pumped up for the movie.
|
|
|
|
|
|
Xanfor

Moderator
DOOP Secretary

|
|
Depends on what powers the radioactive/genetically engineered spider gives him. In the movie trilogy he acquired biological web-shooting ability, which wasn't part of the original origin story.
|
|
|
|
|
|
|
|
|
|
Nutmeg1729

Urban Legend
  
|
|
And one of the best things about opening day is the enthusiastic crowd, who cheered right from the title sequence and during every character's intro scene.
That's the single most annoying thing about any crowd. How can you hear what they're saying if people are cheering and clapping. Idiots. And the 3D for The Avengers was really impressive, also maybe it was cause of the proper bright light conditions. It is one of the best live action 3D experience I had.
I've heard that the 3D was utterly shite. From a few people. With regards to the new spiderman movie... I'm actually really looking forward to it. I think it'll be interesting to see his origins portrayed a different way, plus the way the movie is shot looks so much more fantastic. I'm not overly fond of the original trilogy although I find the first one good fun, plus I think Andrew Garfield will do a much better job than Tobey Maguire. If only because he's prettier and a better actor.
|
|
|
|
|
Vivek

Delivery Boy
 
|
|
 |
« Reply #226 on: 05-06-2012 15:39 »
« Last Edit on: 05-06-2012 15:50 »
|
|
And one of the best things about opening day is the enthusiastic crowd, who cheered right from the title sequence and during every character's intro scene.
That's the single most annoying thing about any crowd. How can you hear what they're saying if people are cheering and clapping.
Idiots.
I think you're getting it wrong. These moments of cheers last for few seconds not that they go on for half a minute or something. These are crowd pleasing moments (especially for fans) which are not confined to dialogues. Title sequence, Cap's first appearance on screen (including first one in costume), Iron Man's intro, Thor's first appearance by landing on the jet etc. Didn't your crowd cheer and laugh when Hulk beat the crap out of Loki? There were so many moments like that worthy of cheers. Avengers is one of those rare movies which has plenty of eye candy and humour where audience gets to celebrate it together. And from what I have been reading on various other forums most people in US and other countries are having similar reactions for Avengers in theatres.
|
|
|
|
|
|
|
|
DannyJC13

DOOP Secretary

|
|
Booked tickets to go see the Avengers tomorrow, so I've rented Thor and Captain America since they are the only two films I haven't seen in relation to the Avengers yet.  I'm guessing, despite the fact this is the 3rd actor to play Bruce, all 3 Hulk films (well 2 Hulk films & the Avengers) are a continuous arc?
|
|
|
|
|
|
|
|
|
|
|
|
DannyJC13

DOOP Secretary

|
|
I preferred Captain America to Thor, but they were both great movies. Thor had some super sweet explosions and whatnot, so it gets bonus points for that. 
|
|
|
|
|
|