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Tweek

UberMod
DOOP Secretary

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OldboyOldboy was my introduction to Korean cinema, and what an introduction it was... Initially it seems to make little sense the first thing we see is a man with a dog leaning backwards over the edge of a tall building and another man is holding onto his tie which prevents him from falling, this man says he has a story to tell. Then the story begins with the man, Oh Dae-Su, drunk in a police station, a friend collects him but while his friend is making a call in a public phone box he vanishes. The next time we see him he is imprisoned in a room never seeing his captor who feeds him through a hatch in the door and gasses him anytime something needs doing in the room. He learns from the television that his wife has been murdered and that evidence at the scene suggests that he is the killer even though he has been in his room for a year at this point.
As the years pass Oh Dae-Su plans his revenge while trying to escape but shortly before he manages to break out he is gassed again and wakes up outside on the roof of the tall building where he meets the man with the dog. After letting his story he leaves the man who then jumps but Oh Dae-Su does not look back. While looking at the fish in a restaurant window a stranger gives him a wallet and a phone. He goes inside and after eating a live octopus receives a call during which he passes out. When he wakes up he discovers that the girl who served him in the restaurant has taken him home. Although he initially doesn't trust her they soon falls in love. Shortly after this he is told he has five days to discover why he was kidnapped or the girl will be killed. He only has a few clues as to his captor but as he follows them and gets closer his life gets more confusing till eventually he realises what he did to earn such a terrible punishment. The action is exciting and and a few places fairly gruelling such as when he uses a claw hammer for tooth extraction although some people might find the octopus eating more disturbing. Min-sik Choi did a great job as Oh Dae-Su and Chan-wook Park's direction was top notch. Although an English dub was available on the DVD I watched it in Korean with English subtitles. 9/10
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Nasty Pasty

DOOP Secretary

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I do.
I've had enough of you, Books.
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Tweek

UberMod
DOOP Secretary

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Lady VengeanceHaving enjoyed the first two films in Park Chan-wook's Vengeance Trilogy I looked forward to watching the third. While I didn't think this was as good as Oldboy it was still a good film. Yeong-ae Lee was very good in the roll of Geum-ja Lee, a woman who had spent thirteen years in prison for a crime she didn't commit. While in prison she had been a model prisoner even going as far as to donate one of her kidneys to help a fellow inmate.
Once outside though she has only one aim in mind; to find the man who forced her into confessing to the murder he had committed and to kill him and to be reunited with the daughter she lost because of him. She gets a job working in the bakery of a man she met when he worked in her prison. She finds out that her daughter has been adopted by an Australian couple and can only speak English, even so she returns to Korea with her mother. With the help of people she previously knew in prison she manages to capture Mr. Baek, played by Oldboy star Min-sik Choi. She soon learns that he has killed other children so instead of exacting her revenge alone she persuades the policeman originally responsible for her arrest to help her bring the victim's families together so they could all have their revenge. As mentioned before Yeong-ae Lee was excellent as the beautiful avenging angel and Park Chan-wook's direction was very good too. While there are some violent scenes they seemed far less gory and disturbing than those in the previous two films. I watched the "fade to black and white" version of the film where the colour is gradually drained from the picture so it starts with bright colours but by the end it is almost black and white. 8/10
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Books

Near Death Star Inhabitant
Urban Legend
  
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« Reply #302 on: 02-13-2009 01:29 »
« Last Edit on: 02-13-2009 05:11 »
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Tropic Thunder It was alright *shrugs* I'll have forgotten this movie tomorrow. 6/10 Hellboy II (Or 2 for the Americans) I don't remember anything about the first, but this was pretty good...it's best when they're in the troll market and Guillermo del Toro can really get creative. The story itself is meh, it doesn't make sense why Hellboy sides with the humans, he's just a big jerk.  7.5/10
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LayZ341

Professor

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Futurama: Into The Wild Green Yonder
Best Futurama Movie EVER.
A
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Books

Near Death Star Inhabitant
Urban Legend
  
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« Reply #308 on: 02-15-2009 05:49 »
« Last Edit on: 02-15-2009 05:57 »
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Coraline in the cinema! Sham-wow! First off they made me pay THREE BUCKS extra for those glasses! Insert mad face! BUT, I won't have to buy new once for Avatar  Anyway, it was busier than I thought.  some thoughts on the 3D: It wasn't bad, it wasn't great, to be honest my feelings are pretty neutral on the issue, and it really doesn't make thaaat much of a difference. Sometimes my eyes got confused and it felt like I was crosseyed for a second. There were a couple buffoons sitting down the row who kept saying "what." everytime something happened, and having that retard cletus-guffaw. ARGH. People are horrible things. Oh, I forget to mention, Dakota Fanning's character said "I lost the game" once and those people laughed uproariously. Scum. As for the movie it was fantastic and magical. And that's all I have to say about it. 8.764/10
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DrThunder88

DOOP Secretary

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Curse of the Komodo
Jim Wynorski + giant, CGI lizards + softcore porn stars = nonstop hilarity! Seriously, this may be my favorite non-MST3K B-movie since Raptor Island.
Okay, so there's no actual "curse." It's your basic "noble scientists get double-crossed by their own ambitions and the military and/or a big corporation"-story with giant monsters. Unlike Wynorski's previous dino-monster flick, Raptor, which used monster footage from Roger Corman's rubber puppet series, Carnosaur, Komodo uses CGI exclusively. Surprisingly it's not as bad as I'd come to expect. The monster design is goofy, looking little like a komodo dragon and moving even less naturally. It's barely professional, obviously, we're not talking Industrial Light and Magic here.
Speaking of "barely professional" performances, you were wondering about the softcore porn stars, weren't you? Yes, Glori-Anne Gilbert (whose other credits include Lusty Busty Babe-a-que, The Breastford Wives, and House on Hooter Hill) whips her assets out under a flimsy pretext and despite their proximity to a giant lizard. Hey, they had to get their R-rating somehow.
But getting back to the story...the military, who is evil because they're the military, has launched a program on Isla Damas (which is one helicopter ride from Hawaii, though the actual island is off is actually off the coast of Chile) to genetically engineer more efficient food crops headed up by the the lead scientist, who is somehow duped into making giant komodo dragon-based weapons instead. Genes are genes, right? Anyway, a musclebound casino robber, his girlfriend (the remarkably bra-less Ms. Brasselle), their wily getaway helicopter pilot, and Mr. Redshirt land on the island during a storm. The fences fail and long, boring, and ultimately futile shootouts commence with the actors practically having to say "POW!" when they fire their suspiciously inadequate guns. Blanks must have been too expensive or the director was just keen on adding the muzzle flashes in post-production. Either way, since none of the actions ever cycled it allowed the main scientist's Lee-Enfield to be fired semi-automatic.
Oh, and there are zombies as well.
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gudbjorg

Liquid Emperor
 
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Did you watch both endings? And Books, you didn't think Tropic Thunder was hilarious?
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