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Bend-err

DOOP Secretary

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I've seen all Ghibli movies and own them all, most even several time. I've also seen many pre-Ghibli Miyazaki movies (The Castle of Cagliostro, Horus: Prince of the Sun, Panda Kopanda...) My favourite is hard to pin down since it depends what mood I am in for a movie. It's also worth it to check out the non-Miyazaki Ghibli movies. Though some (especially My Neighbours the Yamadas) can be hard to understand a lot about due to cultural differences. 
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Bend-err

DOOP Secretary

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There is a rumour that 2013 will be the big Ghibli Summer. It's possible that both, Isao Takahata's long-awaited feature film ( "The Story of the Bamboo Cutter") and Hayao Miyazaki's new movie (probably based on the 2009 "Kaze Tachinu" comic) will both come out then. It's also quite possibly that those these movies will be the final directorial feature films by Takahata and Miyazaki, even more so since they are already 75 and 71 respectively. Of course it's complete speculation as of now, but it wouldn't surprise me at all. If it comes like that it seems that their successors will be Hiromasa Yonebayashi who made "The Borrower Arrietty " (can only advice everyone to go see it.). And of course Gorō Miyazaki who made "Tales from Earthsea" with little success, but whose last Ghibli movie "From up on Poppy Hill" seems to have been hugely successful in Japan and was well liked among critics too.
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Bend-err

DOOP Secretary

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Or just watch the Japanese version, it's not really that hard to get used to subtitles.
Also at fryfanSpyOrama & the thread name: could it be changed to just The Studio Ghibli thread or something like that?
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Bend-err

DOOP Secretary

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I think Totoro exploring the family's house would not make any sense. He's been living in the forest probably for ages and the house had been empty for a while. So if he was interested in houses he would have had more than enough time to explore it. The movie, while named after him, isn't really about him either. It's more autobiographical since Miyazki's mother spent a few years in the hospital (caused by tuberculosis) when Miyazaki was just 6 years old. So it's mainly about kids having to cope with a sick family member and while being selfish and wanting their mother to be at home and be there for them have to accept that that won't happen for a while. They're also encountering the idea of death and a loved one maybe dying for the first time ever in their lives (especially Mei). Totoro is more of a distraction from it and a mean to make the new place to live more exciting too. And in the end of course he is there to help Satsuki finding Mei (with the cat bus).
The scenes in the credits are also implying that the the kids can't see Totoro anymore since the mother came home. So he was really ever only a very short term part in the girl's lives.
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Nixorbo

UberMod
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The amount I enjoy a Ghibli movie is directly proportional to the number of flying things portrayed. Thus, my three favorite are Howl's Moving Castle, Nausicaa and Porco Rosso.
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Otis P Jivefunk

DOOP Secretary

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Howl's Moving Castle is my fave, I really love that one. Something about the way the castle is animated and designed, plus the animation in the rest of it is sublime. Interesting story too. Second would probably be Princess Mononoke, that's the one I've watched the most. I also like Spirited Away a lot too. I only recently saw My Neighbor Totoro, and I really enjoyed that too, especially the Cat Bus!...
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Bend-err

DOOP Secretary

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Aww, aren't you adorable. You seriously can't go any more mainstream with anime studios than Ghibli. It's so far from hipster as it possible goes.
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Otis P Jivefunk

DOOP Secretary

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In other words, Ghibli movies are to be watched on a MacBook Air whilst in Starbucks...
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cyber_turnip

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Aww, aren't you adorable. You seriously can't go any more mainstream with anime studios than Ghibli. It's so far from hipster as it possible goes.
Hipsters don't do the real underground stuff, though. They only tend to skim the surface of this area of culture. I'm not saying everyone that likes anime is a hipster, just that most hipsters that I know love studio Ghibli and I doubt that's just because I know an unusual bunch of hipsters. They're classic hipster films because whilst they're mainstream for anime they're still very far from being mainstream films. You know, in the same way that Troll 2 and The Room are mainstream as far as "so bad they're good" films. And I'm also not saying that hipsters only like Ghibli and don't often like other areas of anime.
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Bend-err

DOOP Secretary

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Maybe they're far from mainstream in America... but who cares about America? No one, THAT'S WHO.
And comparing them to Troll 2 and The Room shows just how little you know.
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transgender nerd under canada

DOOP Ubersecretary
 
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If you want to see some truly beautiful animation, watch something like The Iron Giant or The Illusionist.
Both films (in respect to the animation alone here) remind me of the TV-quality Disney stuff from the late eighties and early nineties, as well as the nineties Warner Bros stuff. Having just taken a quick look into it, I see that many of the same names are involved. It's the sort of stuff that studios have been cranking out since the forties. Sure, it's got very few problems. But it's hardly spellbindingly good. I'm not going to defend anything else in comparison, I'm just pointing out that they're hardly "truly beautiful animation" unless you consider something like a midrange family sedan by Ford to be a "truly beautiful automobile" (and almost anybody who is way too into cars will tell you to go fuck yourself because you have no sense of what constitutes beauty if you do). Ghibli's animation style is not the worst thing in Japanese animation, and in most cases, the subject matter rises above the (again, very few) flaws that the presentation has (and some of these are inherantly limited by the actual art style in Ghibli works). As an "aspiring animator" yourself, I would have thought you'd be capable of knowing and appreciating this. Obviously you're the kind of aspiring animator who believes that if you don't personally love something to pieces, it's not really a valid form of artistic expression. Those people really suck. They're the ones who ruin perfectly good entertainment by making you pay attention to the most trivial and banal details that you're meant to gloss over as you enjoy the ride.
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Bend-err

DOOP Secretary

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The museum is just beautiful. Perfectly done indeed. I will definitely go back some day.
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Svip

Administrator
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Aww, aren't you adorable. You seriously can't go any more mainstream with anime studios than Ghibli. It's so far from hipster as it possible goes.
Hipsters don't do the real underground stuff, though. They only tend to skim the surface of this area of culture.
I'm not saying everyone that likes anime is a hipster, just that most hipsters that I know love studio Ghibli and I doubt that's just because I know an unusual bunch of hipsters. They're classic hipster films because whilst they're mainstream for anime they're still very far from being mainstream films.
You know, in the same way that Troll 2 and The Room are mainstream as far as "so bad they're good" films.
And I'm also not saying that hipsters only like Ghibli and don't often like other areas of anime.
Must be sad when hipsters you know have better taste than you.
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cyber_turnip

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Maybe they're far from mainstream in America... but who cares about America? No one, THAT'S WHO. Who said anything about America? My main cultural point of reference is the UK. And comparing them to Troll 2 and The Room shows just how little you know. Based on what? Both films are films within a genre or at least an area of film that have pretty strong cult fan-bases to the point that there's very much a community of fans of those films. It's a completely sound comparison. If you want to see some truly beautiful animation, watch something like The Iron Giant or The Illusionist.
Both films (in respect to the animation alone here) remind me of the TV-quality Disney stuff from the late eighties and early nineties, as well as the nineties Warner Bros stuff. Having just taken a quick look into it, I see that many of the same names are involved.
I'm sorry but that's balls. They stand head and shoulders above that stuff. There are similarities just as there were similarities between Disney's straight-to-video sequels and their canon "Disney classics" - not to mention lots of people working on both. It doesn't stop Disney from having consistently gorgeous animation vs the fairly cheap by comparison stuff they did on TV. It's the sort of stuff that studios have been cranking out since the forties. Sure, it's got very few problems. But it's hardly spellbindingly good. There's some fucking stunning animation from the forties. Pretty much all of Disney's work from that era is proof of it. Ghibli's animation style is not the worst thing in Japanese animation, and in most cases, the subject matter rises above the (again, very few) flaws that the presentation has (and some of these are inherantly limited by the actual art style in Ghibli works). I never said otherwise. Ghibli's stuff tends to be better looking than most Japanese animation but that doesn't make it good. And yes, a story and content can carry a film in spite of it having horrendous animation. South Park: Bigger, Longer & Uncut is proof of this, as is Ghibli's Grave of the Fireflies which has some of their worst animation that I've seen. Obviously you're the kind of aspiring animator who believes that if you don't personally love something to pieces, it's not really a valid form of artistic expression. Ghibli's stuff is not good animation from a technical standpoint. I never said it wasn't valid artistic expression. Placing a urinal in an art-gallery is valid artistic expression, but if you started saying that it showcased brilliant sculpture-making skills then you'd be bound to piss off people who actually are very good sculpters. I find beauty in things like industrial estates but I'd also admit that they're conventionally ugly and Ghibli's work - and indeed, 99% of anime - is conventionally ugly animation. And this isn't just because I don't like Ghibli films as a general rule. I didn't like Coraline but it was stunning beautiful on a purely aesthetic level.
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Svip

Administrator
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So you have bad taste, I don't feel that is cause for celebration or a need to rub in the rest of our faces. I was quite happy when my knowledge wasn't smeared with your stupidity.
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Bend-err

DOOP Secretary

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« Reply #37 on: 03-04-2012 00:18 »
« Last Edit on: 03-04-2012 00:22 »
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Make sure to let us know if you ever get hired for doing animation, so we can be sure to avoid the atrocities you surely will create. And now lets stop this and keep it on topic! We all know this pic would be posted sooner or later, so I might as well just get it over with: 
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SlackJawedMoron

Urban Legend
  
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« Reply #38 on: 03-04-2012 06:32 »
« Last Edit on: 03-04-2012 06:36 »
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As someone who actually pays attention to Frame-rates in animation, I honestly don't know where you're coming from with this, Turnip. Ghibli, by and large, moves fine. Not as smooth as Disney film quality, true, but a long ways better than television quality (Japanese or Western). I kind of have to second the fact that anime certainly went through a period of hipster-appeal. It's slackened off in the last few years, but there was a time in the early-to-mid 2000's when it was the hip, alternative thing (I blame kids growing up with Pokemon, myself). As someone who'd followed anime since it was something only weirdos and kiddie-fiddlers in the 80's watched, I was in two minds about the whole thing, but it's not worth worrying about too much anymore - the West has taken what they wanted from anime, and soon the medium itself will fade into the distant background of our collective consciousness (how's THAT for pretencious!  )
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