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Tachyon
DOOP Secretary
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You didn't like Bladerunner? I thought it was a fantastic movie, perhaps arguably the movie of 2010, and I disagree with your proposition.
OK, I'll bite. How can Bladerunner arguably be the best movie of 2010 when its last incarnation, Bladerunner, the Final Cut / "25th Anniversary Edition" was released in 2007?
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MovieMurderer
Bending Unit
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Old Dracula
A rare movie I have the misfortune to own.
Written and Filmed under the name, "Vampira," Old Dracula features an aged David Niven (No... poor Dave!) playing an elderly Dracula trying to revive his dead wife and she ends up becoming black. I really want to make some Mr. Freeze jokes here, but I'll try to refrain from them. During the final months of post-production on this movie, Mel Brooks' ever-so-hilarious Young Frankenstein was released, so in order to capitalize in the success of it, Vampira was renamed Old Dracula- even comparing the two films in the slogan: "If you liked Young Frankenstein, you'll LOVE Old Dracula!"
Oh- did I mention that he revives his wife using the blood of Playboy bunnies? Yeah- and they even live in his mansion for a while. This would have been a perfect opportunity to cast the Heff! I mean, if they got him in Miss March (we'll get to that later), why couldn't they get him in Old Dracula- when he probably wasn't as expensive... wait...
Another problem is acting and cinematography just don't look natural- in Young Frankenstein it looked like a movie. This looks like a mediocre Saturday Night Live Sketch from the mid-eighties. As I said, the acting is stiff, and Would You Believe that CLIVE FRIGGIN' DONNER directed this picture? Why would he sign onto a film of such ASS proportions?!
If you are one of the odd one's out who liked this film, and are offended by this review for some reason: "CHILL AUHT!!!" (I said TRY to refrain... ah, what the f**k, BAT CREDIT CARD.)
I give it an astounding 2/10 or an F!
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Slackit02
Urban Legend
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Josh - because of what seattlejohn said. It makes a movie annoying knowing it was made JUST to rake in cash. Like the new Spiderman movies. Really? Didn't we JUST see these? I mean, this isn't like remaking True Grit or something older, this is like... 5-10 years old.
Honestly I find it odd to do a Dahl book that is so straight forward and... boring. Would have much rather seen them use this format of animation to do his short stories, like "Skin and Other Stories."
And Scott Pilgrim BARELY gets a B. Seriously, could Ramona have been anymore of a snore fest? And really, she honestly showed NO interest in Scott. "Yah, we can see how things go, oh I just wanna be free, insert another sentence about not wanting to be in a relationship." The best thing of the whole damn movie was Kieran Culkin and April from Parks and Rec. Scott, how dumb are you, how many times do you need this explained to you?
Seriously, casting in movies lately has been mega shitty.
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transgender nerd under canada
DOOP Ubersecretary
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Scott Pilgrim BARELY gets a B. Seriously, could Ramona have been anymore of a snore fest? And really, she honestly showed NO interest in Scott. "Yah, we can see how things go, oh I just wanna be free, insert another sentence about not wanting to be in a relationship."
WOW, you missed a lot of subtext. She's into Scott at least a little, from the beginning. She warms to him over the course of the film, as he pursues her. It's about his pursuit, his chase and his battle (a metaphor given literal being) to overcome her previous bad experiences (exes) and show her that he's actually a nice guy and that they have a shot at happiness together. Which they take at the end of the film... through the subspace door, they go to (presumably) a fresh start away from everything that's negatively impacted them over the course of the film. If she had no interest in Scott, then there wouldn't have been any evil exes showing up to be battled, as there would be no point in them doing so. See, her interest is held back by the ghosts of her former relationships at the beginning, and only freed at the end, with the defeat of Gideon. Scott has a similar freedom given to him by Knives in the closing seconds, and they're finally ready to begin their relationship.
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Frisco17
DOOP Secretary
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I hate myself for saying this but here goes. "It makes a lot more sense in the books."
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transgender nerd under canada
DOOP Ubersecretary
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Percy Jackson and the Lightning Thief: Poorly executed, but well-cast. Pacing and exposition felt a little off, and there were too many inconsistencies with the actual greek myths for me to enjoy it thoroughly, but overall not terrible. I think I can see why other people enjoyed it, I suppose. Still, it's a sad indictment on the state of people's classical education these days that they can enjoy a movie which one moment is telling us the story of Perseus is true, the next is showing us a still very-much-alive Medusa.
Logical inconsistencies aside, the action scenes were quite well done - even if the CG is at times a little too painfully obvious.
I wanted to like it more than I ended up doing, but that's par for the course with a lot of children's films at the moment. Toy Story 3, Despicable Me, and the awful, awful Ice Age 3.
Nevermind. Still got high-ish hopes for The Green Hornet.
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winna
Avatar Czar
DOOP Ubersecretary
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Scott Pilgrim BARELY gets a B. Seriously, could Ramona have been anymore of a snore fest? And really, she honestly showed NO interest in Scott. "Yah, we can see how things go, oh I just wanna be free, insert another sentence about not wanting to be in a relationship."
WOW, you missed a lot of subtext. She's into Scott at least a little, from the beginning. She warms to him over the course of the film, as he pursues her. It's about his pursuit, his chase and his battle (a metaphor given literal being) to overcome her previous bad experiences (exes) and show her that he's actually a nice guy and that they have a shot at happiness together. Which they take at the end of the film... through the subspace door, they go to (presumably) a fresh start away from everything that's negatively impacted them over the course of the film.
If she had no interest in Scott, then there wouldn't have been any evil exes showing up to be battled, as there would be no point in them doing so. See, her interest is held back by the ghosts of her former relationships at the beginning, and only freed at the end, with the defeat of Gideon. Scott has a similar freedom given to him by Knives in the closing seconds, and they're finally ready to begin their relationship.
It's really difficult to ascertain those things throughout the movie, and Scott does act like a douchebag throughout various portions of the film including the whole part where he doesn't dump knives before pursuing someone new. The story is about growth though. I think the parts that appeal to me about that movie are the indie feel about it, which I enjoy, and the nerdom, and the pretty girls. I wish my twenties had been more like this except for Scott being a douche and breaking Knives' heart. He also never has a job... but I also liked most of the other characters. The effects (both visual and audio) are really enjoyable and the comic book logic is fantastic and engrossing. I'd probably consider this as another post-modern comic book take on superheroes along with Kickass and The Watchmen (although that predates all of these and has a different mood surrounding it) and I've enjoyed these glances at realistic thoughts on superheroes as individuals rather than just fictional one dimensional characters. Also, I have a theory that the entire story of Scott Pilgrim is really just another dreamworld in the movie Inception, but for some reason Ellen Paige never showed up.
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