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Beamer

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« Reply #564 on: 10-11-2014 20:10 »
« Last Edit on: 10-11-2014 20:13 »
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The early episodes aren't particularly comparable at all to the bulk of the show's run. It grew far more outlandish as it went on (and just darker in general... the characters became more dick-ish, too); the plotting also became increasingly ambitious for a multi-camera sit-com, and, after its first few years, it became known for always dovetailing all the unrelated story threads in hilariously contrived ways (a writing approach that would later be adopted - and then perfected - in my favourite show of all time, Arrested Development). And none of these elements are really present at all in the first couple seasons or so. Much like, say, The Simpsons (when comparing seasons 1 and 2 to the rest of the "classic era"), Seinfeld took a while to "find its groove." It's also worth mentioning that the first few seasons pretty much flew under the radar upon their initial airing. It wasn't until this notorious season 4 episode that the show became a ratings juggernaut... It was on the bubble for quite a while when it started, and a lot of fans actually dismiss the first season entirely. I'm not actually the biggest Seinfeld fan in the world, myself - I respect the hell out of it, but it doesn't make me laugh uproariously like Curb Your Enthusiasm does. But it's hugely influential and definitely worth watching (save from a few lousy episodes), so at least try a later-era episode (season 4-7) before you've made your mind up. It becomes a very different show as it goes.
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JoshTheater

Space Pope
   
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« Reply #568 on: 10-29-2014 03:47 »
« Last Edit on: 10-29-2014 04:24 »
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Josh's Fall 2014 TV Roundup For Shows That Don't Have Their Own Threads Yet:
Agents Of S.H.I.E.L.D.
This is five episodes into its second season, and at this point it doesn't even resemble the show it started out as. Ever since the big upset that happened in Captain America: The Winter Soldier that heavily affected the basic premise of the show, it's changed from an episodic Monster-Of-The-Week style show with some lingering running plots in the background to a very tightly plot-driven show. Unlike a lot of season one, all the character development, dialogue, drama, and action are tied into the story arc and it's a million times better for it. They've done a great job toning down the cheesier elements of the show (though it still retains some, it is Marvel after all), there are some good cast additions (notably Kyle MacLachlan as the super-powered father of a main character), and the increased budget they have now shows with better special effects and some of the best fight choreography I've seen on a TV show. It's pacing is much improved as well, with important revelations in almost every episode instead of dangling the same mysteries over our heads for way too long like the first season. They seem to be building to some very promising events that will tie into the movies in important ways, but of course that's just speculation.
Basically, if you're a big fan of the MCU and you gave this show a chance when it started but didn't like it, I'd say it's definitely worth giving it another shot now (though it might be worth catching some of the end of the first season to be less lost...episode 16 is where the Winter Soldier plot starts to come into play). I still wouldn't call it amazing television that measures up with the best dramas on these days, but I would say it is now a very solid action-adventure show as opposed to the somewhat guilty pleasure it began as.
Gotham
Well color me surprised, this doesn't totally suck ass. Ever since I heard about this show I expected it to blow chunks, but it's not bad, or at least not as bad as I thought it would be. It's inconsistent for sure, and especially in the pilot there's a lot of questionable acting/dialogue/directing. That's gotten better even as soon as the second episode, and though the writing still suffers noticably on occasion, the show achieves some good world-building and it uses the advantages of being set in Gotham in the DC Universe without shoving Batman references down your throat every other minute. My main worry originally was that it would rely too much on it's inherent connection to Batman without having enough of its own plot to be interesting, but so far it's defied that expectation decently enough. I certainly wouldn't call it good, but it's not trash and I've been sticking with it for now to see if they have anything huge up their sleeve. If they don't soon though, I'm prepared to drop it.
Sonic Highways
Dave Grohl directs and narrates this 8-part documentary that follows the Foo Fighters as they record each song of their new album in a different studio in a different U.S. city. Every episode deals with one city, and I'd say about two-thirds of it is about exploring the history of music in that city (with some focus on styles that the city is most known for birthing/developing and some focus on the rock/punk bands from there that specifically inspired Grohl) complete with interviews of that cities' musicians as well as some history of the studio they're recording in that week. The other portion of the documentary is just showing their process of recording the song or their album, with Dave writing lyrics for them that he tries to make reflect things he's learned about the city while filming interviews. Each episode concludes with a music video style performance of the song from that week shot in the studio they recorded it in. I'm enjoying it a hell of a lot so far.
The Flash
Watched the pilot: absolute dogshit. Great special effects, but everything about the writing is terrible. And that's coming from someone who just admitted to enjoying Agents Of S.H.I.E.L.D. and Gotham. Stay far away from this one.
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Xanfor

Moderator
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Really? I enjoyed the Flash pilot. Mind you, it has a lot of room to improve as the show goes on, but so far it has avoided a lot of the pitfalls of the superhero genre. Also, that ending.  The newspaper headline that surprised me, oddly enough, was not the one about the Flash vanishing, but the one about the red skies. Remember what happened last time the DC universe had red skies? And what happened to Barry Allen before they went away?
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Beamer

DOOP Secretary

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Naomi and I recently watched all of Transparent, which was sublime, and finished the first season of the brilliant series The Comeback, which was recently brought back for a second season 9 years after its cancellation (surely some sort of record?). Both were thoroughly enjoyable, and really unique viewing experiences different from most other things on television. I think you can already guess my opinion on all these superhero shows, though. 
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Beamer

DOOP Secretary

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Seeing as how I've already posted my top 50 albums for the year, here are my top 20 tv shows for 2014 (I haven't watched enough to make it another top 50): 1. Nathan for You 2. Orange is the New Black 3. Rick and Morty 4. Last Week Tonight 5. Mad Men 6. Brooklyn Nine-Nine 7. Fargo 8. Cosmos: A Spacetime Odyssey 9. Transparent 10. Louie 11. The Comeback 12. South Park 13. Veep 14. Silicon Valley 15. Bob's Burgers 16. True Detective 17. Archer 18. You're the Worst 19. Community 20. Parks and Recreation
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Beamer

DOOP Secretary

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And given that the season finale of South Park and Black Mirror's Christmas special are yet to air, I'm going to hold off from posting it for now.
Yeah, I mainly put my lists together this early because I figured it may come up in one the AV Club's current "best X of 2014" discussions. Though, having said that, I can't imagine the South Park finale will affect its place on my list at all, as I'm judging everything on its season (or, run of episodes throughout 2014) as a whole. If it's abysmal, the rest of the season's still strong enough to warrant its position, and if it's one of the show's all-time best, the weak moments of the season would still prevent it from getting a higher number. The Comeback hasn't finished its season either, but I feel confident enough that it won't change things too much for me. Season one remained at a consistent level of quality entire way through, and season two has been very much the same thus far.
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Beamer

DOOP Secretary

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I don't think I'd be able to put together such a list, but I'd say my favourite episode of any show this year is probably Nathan for You's "Souvenir Shop/ELAIFF,” with Rick and Morty's "Rick Potion #9" as a close second.
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Beamer

DOOP Secretary

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I love the Bill Gates impersonator so much. The fact that a professional Bill Gates impersonator apparently didn't learn any jargon for his act beyond the words "computer" and "Microsoft" never fails to crack me up.
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Beamer

DOOP Secretary

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Yeah, I've heard its structure is a lot like the first season of The Comeback. As in, they start off as very niche character-based comedies and then about half-way through the season, you realise the show actually leans more on the drama side, and there's an incredibly dark story being told. Funny enough, the two shows have quite similar premises, too (both are about washed-up former sit-com actors trying to make something of themselves again). I'm seeing a little bit of an Eastbound & Down influence in BoJack Horseman, too. For what it's worth, the show is getting the recognition it deserves over at The A.V. Club (where, just a few days ago, they reviewed the recent Christmas special), albeit to a far lesser response than what Orange is the New Black has received. The latter show does get better and better as it goes, by the way, so definitely stick with it. 
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Beamer

DOOP Secretary

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Yeah, I heard that was the basic concept. I kinda admire the fact that the writers (and Netflix, for that matter) had the balls to do it, though. Kudos to Netflix for encouraging something so unconventional.
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Beamer

DOOP Secretary

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The man's been hosting the same show for 16 years now. I'm guessing he just wanted a change (especially after getting a taste of film directing). It's understandable.
It'll be incredibly sad to see him go, of course, especially as he's basically the perfect man for the job, but it may also revitalise things a bit to have someone else take the helm (and I think John Oliver's proved that it's more than possible). Granted, I haven't really watched much of The Daily Show recently, especially since Last Week Tonight came out, but still... A big shock indeed.
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Melllvar

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^ I'd agree with any of those, and like Beamer, since Last Week Tonight and The Last Leg (in the UK), I've been not watching TDS as much.
In other news, I looked in on The Good Lady Mrs Her Indoors watching Extant and I'd like to arrange to have Hallie Berry's Oscar taken back off her for being uniformly terrible in everything since Monsters Ball... Reasons being, (1) She can't run with those boobs... and (2) watching the process of her taking in potentially life-changing information is like watching her trying to process a dodgy cheese-sandwich.
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winna

Avatar Czar
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Appalachian Outlaws is secretly a television show about people who started a television show to steal ginseng from a local community and film themselves doing it without letting the local community in on the joke. It's very ridiculous, and everything about the show tries to make the ginseng trade out to be this dangerous crooked world that fell between the cracks of society and the law. The show follows people in West Virginia who dig up, buy, and sell ginseng; they call themselves sengers apparently, and the show often makes up terms and treats them as if they're a special jargon of this culture. The sengers seek to get revenge on each other because they get robbed a lot, however, none of them seem to realize that the camera crews who follow them are clearly the ones robbing them; the show also never mentions this fact, however it's pretty obvious since the camera crews are following everybody around, the people getting robbed, and the thieves who are apparently robbing them. I'm thinking of contacting David Lynch about creating a cartoon based on this show, then contacting Adult Swim for airing it. It would be like a cartoon version of Twin Peaks, and what's great about it is that there's no need for writers; just copy the script of each week's Appalachian Outlaws, then change the camera views so the audience realizes the tv show producers/camera crews are clearly robbing the town blind. 
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DannyJC13

DOOP Secretary

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The Last Man On Earth is hilarious. That is all.
I thought it was great, I'm a big fan of Phil Lord & Chris Miller and it's great to see them working with the awesome Will Forte once again. It has been tweeted a few times by Chris and whatnot that there are many more twists in-store for the rest of the show, should be interesting to see where this goes. 
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Beamer

DOOP Secretary

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Yeah, I was thoroughly impressed by the first two episodes. They were really, really solid way to start the series. I'd been looking forward to the show since it was announced, though cautiously so, as I couldn't quite see how they were going to milk comedy out of the premise (much less have it sustain a tv series). I think they executed it perfectly. Also, while we already know other actors have signed on to the cast, I'd be quite happy to see Will Forte and Kristen Schaal isolated together for quite a few episodes before they through that inevitable wrench in the works.
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